Film Name: 银河护卫队3 / Guardians of the Galaxy Vol. 3
Marvel can breathe a sigh of relief, long lost fans can rejoice, your song list can also be updated, because Guardians of the Galaxy Vol. 3 is here! This time, the film’s publicity has spoken a lot of “heavy words”, even “beyond the Reunion 4, the best word-of-mouth in the history of Marvel” and such harsh words are used, which also reflects the hope and anxiety of Marvel and many old viewers…….Fortunately, the quality of the film is really excellent, and this time, we can rest assured that the film will be a success. Fortunately, the quality of the film is really over the top, this time you can rest assured to praise.
In fact, the success of Guardians of the Galaxy Vol. 3 is more of a triumph for James “Rolling” Gunn, whose personal style is so strong that it can always completely anchor/deflect a film’s temperament, which may not have been so strong during the first three phases of Marvel’s blossoming. That sense of uniqueness may not have been strong when the first three phases of Marvel were in full bloom, but in the fifth phase at hand, he’s practically a demigod. Guardians of the Galaxy Vol. 3″ to put it bluntly, is still “bad boy gang” through the hardships and dangers of the old three kinds of stories, you have a lot of problems, I have a bad temper, but we are the good friends who can not be broken up – fresh! Fresh? No. Is it good? It’s really good.
[WARNING: Spoilers to follow].
Before we talk about the value of those connotations, let’s take a look at Guardians of the Galaxy Vol. 3 simply in the audio-visual performance.
After decades of blockbuster bombardment, special effects are no longer the signature of Marvel films (and have even been a recurring theme), and the visual effects scenes should not only be big and flashy, but also new and strange, or else it will be difficult to stand out.
Guardians of the Galaxy Vol. 3 is impressive in this regard, and the standout sequence is undoubtedly a scene in which a group of five Guardians of the Galaxy travel to the AoG to get information on the opposing base, which is an ever-growing organic life-form with a bunch of tentacles, goo, and shredded flesh, and a visual style of the ship’s interior and the personnel’s costumes that is consistent with it but confined within the The visual style of the ship’s interiors and personnel’s costumes is consistent with it, but it’s limited to the point where it feels like a curiosity without being too repulsive. At the same time, the film presents the effects of interstellar travel in different regions through a combination of live-action and CGI, highlighting the differences and characteristics of the coordinates of the Barren Lands, the AoG, and the Anti-Earth. There’s no need to worry about the laughs, either. In addition to some generic jokes, the film is full of Roll’s gags, gags, gags, gags, gags, gags, gags, gags, gags, gags, gags, gags, gags, gags, gags, gags, gags, gags, gags, gags, gags, gags, gags, gags, and gags. And he’s got a real knack for “bringing in the personal stuff”. Not only does he give roles to some of his old mates from Peacemaker Season, especially his wife, but he also takes the opportunity to take Star-Lord’s grievances out on people, and lightly offloads the punch-up of the Exterminator in Revenge 3, which is a great way to make the film more interesting. ..
The action sequences and soundtrack are a plus for Guardians of the Galaxy Vol. 3. Unfortunately, these are hard to describe, and the audience needs to see and hear for themselves, and I can’t tell you how many times I’ve said, “You can always trust the director’s songwriting. Since You Been Gone”, “We Care A Lot”, “This Is the Day” and many other great songs, as well as “Dog Days Are Over”, which is a familiar song even to me after the millennium, not to mention the end of the film with “Come and Get Your Love” to brush up a wave of feelings of the Silver Linings Playbook series. The film’s acknowledged climax is naturally the long shot fight scene in which the entire Guardians of the Galaxy kill to the accompaniment of “No Sleep Till Brooklyn”, with melody, lines, images, stomping, and a sense of rhythm all on the line, and the director proves once again that he’s a master of audiovisual language. In addition, the film also has some detailed eggs linked with last year’s “Christmas Special”, such as Star-Lord and Mantis female recognized siblings, Drax and Mantis female to the Earth to kidnap Kevin Bacon and so on, is also a kind of comic book film based on manipulation. All in all, even if you’re not a deep fan, Guardians of the Galaxy Vol. 3 is a good watch.
Of course, the true essence of the film’s popularity is that it’s once again a well-told story that’s lyrical to a fault. Guardians of the Galaxy Vol. 3 has a simple plot that mostly involves the gang trying to save Rocket, and this large narrative is clearly split into two threads – Rocket’s memories and hallucinations, in addition to the crowd running around. In this story driven by Rocket Raccoon, we see his past and pain, he was an ordinary raccoon, under the transformation experiments of the supreme evolution to become an undefined “monster”, in a way, code name 89P13 is not the same as the rest of the universe creatures, his only kind/friends are Lyla, who is the same life as himself. In a way, he is different from all the other creatures in the universe, and his only kindred spirits/friends are Lyla, Big Tooth, and Slab. It must be said that the use of anthropomorphic animals for melodramatic narratives is really foul and effective, especially when most of their lovable traits are retained while adding some creepy makeovers, which will inspire sympathy and pity from the audience in a matter of minutes.
The animal experiments knew nothing about the world, and their end should have been to be destroyed in bewilderment – but the exception was the exception of the exceptionally intelligent Rocket, who successively received the vision of a new world and the despair of disillusionment from the Supreme Evolution. Because he is no longer ignorant, Rocket experiences the alienation of being out of place in the world and the fear of being alone and helpless, which in turn gives rise to anger, perversity and cynicism. Anyone familiar with the Gingko series will easily notice that Rocket’s past and persona are similar to those of other Gingko members: unforgivable past, regrets, loneliness, lack of love, etc. In other words, Galaxy’s personality is the same as that of other members of the Gingko series, but it’s not the only one. In other words, Rocket’s personality is another embodiment of the commonality of the Guardians of the Galaxy …… Therefore, the Supreme Evolution, this not so powerful, hysterical and also obsessive-compulsive disorder late guy, is the most ideal villain of “Guardians of the Galaxy Vol. 3”.
This guy is a perfectionist, not claiming to be a god, but constantly pursuing the creation of miracles in practice, he expects to create the most perfect creatures in the universe, and then live in his self-constructed utopian world …… The question is, his dream of “perfection” really exists! The question is, does his dream of “perfection” really exist? Rocket’s assessment of his Creator is most accurate: he doesn’t want to create perfection at all. He just hates things as they are. He didn’t want to create perfection at all, he just hated things the way they were. Supreme Evolution is lost in paranoid rhapsody, as opposed to the Guardians of the Galaxy’s way of getting along and philosophy of survival. Personally, I think the most telling scene in Guardians of the Galaxy Vol. 3 is the argument between Nebula, Drax, and Mantis while they’re trapped on the ship.
Their original intention was to rescue the trapped Star-Lord and Groot, but the situation shouldn’t have been so bad. Drax, who didn’t listen to the arrangement, got into trouble again, followed by Mantis, who was AWOL, and she was to blame. Drax’s head is missing a string, Mantis doesn’t understand rhetoric, Nebula is always complaining about everything around her, they dislike each other more than they love each other, so why are they still together? Mantis Woman, in a moment of desperation, reveals her reason for being close to Drax, “He’s the only one of us who doesn’t hate himself”, and then goes out on a limb and erases the memory for Drax, turning the bruised pride of the man once again into a big, heartless Bean. I think that’s the key to the Gingko series’ ability to move people: no one’s perfect, on the contrary, that guy may have a bunch of problems, but he’s got qualities that I value, and he’s my friend, and so is everyone else. Guardians of the Galaxy Vol. 3 provides a universal guide to making friends, relatives, pets, and so on, with only one rule: know TA, accept TA, and love TA.
You say that the film has no flaws and shortcomings, that’s definitely not true, the clues of the last film are almost abandoned, the paragraphs are sloppy, the enemies are thin and weak, the Adam Warlock is not developed and so on, there are quite a lot of problems. …… But the amazing thing is that, once you accept the main idea of the film and its temperament, you don’t care too much about those shortcomings because the main characters of the film have independent and complete personalities, and you like them to be imperfect. have independent and complete personalities, and you love them when they’re not perfect. I’d like to thank Director Roll for a great finale at Marvel, and I wish him well in his future endeavours at DC. It’s like the ending of Guardians of the Galaxy Vol. 3, where everyone has found or will find meaning in their existence, each going their own way, with friendships that will be remembered in the jungle as they were once with each other.
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